Best Actor
Colman Domingo (center) in "Rustin."
Parrish Lewis/Netflix
Colman Domingo
Rustin
Civil rights leader Bayard Rustin was 51 when he and A. Philip Randolph organized the 1963 March on Washington, then the biggest peaceful protest in U.S. history. He challenged Martin Luther King Jr. to go there and address the crowd. The event, which featured King’s “I Have a Dream” speech, helped inspire the epochal Civil Rights Act of 1964 and the Voting Rights Act of 1965. And Domingo (now 54) was 51 when filming took place — proof that age is no obstacle when it comes to changing history or immortalizing on film a character who’s been almost totally erased from history because he was gay. Domingo captures Rustin’s electrifying charisma, droll wit, intellectual firepower and personal pains, from the tooth a cop knocked out when he dared to take a bus seat to the cruel disrespect he received from civil rights colleagues.
VIDEO: Watch Colman Domingo’s acceptance video for Best Actor from AARP’s Movies for Grownups Awards
“We’re in a dark moment in our history, especially with young people. They feel hopeless. You need someone who was a pied piper to inspire people to be their full selves, to use their minds, hearts and bodies to create the world they want to live in. We need to create a new generation of angelic troublemakers.”
—Colman Domingo on Rustin
Best Supporting Actor
Robert De Niro (left) and Leonard DiCaprio in "Killers of the Flower Moon."
Melinda Sue Gordon/Apple TV+
Robert De Niro
Killers of the Flower Moon
De Niro has never crafted a more chillingly brilliant performance than his turn as William King Hale, the real-life monster and self-made businessman who posed as the best friend the Osage ever had in Oklahoma, building them schools and hospitals — while secretly having them poisoned, shot and bombed to line his pockets and those of his crime ring.
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Best Actress
Annette Bening
Annette Bening in "Nyad."
Liz Parkinson/Netflix
Nyad
Bening, 65, didn’t permit a stunt double to do a single stroke in her movie about Diana Nyad, who at 64 — after a few well-publicized failures to do so — successfully swam from Havana to Key West, braving jellyfish, the elements and her own demons. Bening trained daily for a year with Olympic swimmer Rada Owen, but it was her acting chops that brought Nyad alive on-screen. When the film alternates real footage of Nyad with Bening, it seems like the same person — the kind of athlete even a shark might hesitate to cross. It has to be said: If there were an Olympics for acting, Bening would take the gold.
VIDEO: Watch Annette Bening’s acceptance video for Best Actress from AARP’s Movies for Grownups Awards
“So much of our industry is geared toward getting young kids into the theater, and there’s a place for that. But many of us want stories that get us in our gut, that are for adults. We need that. It’s why I got into movies — the power of a good story.”
Best Supporting Actress
Jodie Foster (right) and Annette Bening in "Nyad."
Kimberley French/Netflix
Jodie Foster
Nyad
If you thought Jodie Foster, 61, was tough in The Silence of the Lambs, wait until you see her as Diana Nyad’s coach Bonnie Stoll. Her performance is crucial, because the film’s not just the story of one determined athlete, but a buddy picture about Nyad’s relationship with the salt-of-the-earth friend and trainer who got her through personal and physical storms. Bening was grateful for Foster’s longer acting experience (57 years versus her 43), and like Nyad and Stoll, they’ve triumphed together as Movies for Grownups Award winners. Foster said she took the part to show the world that older women could be, as she put it, “badasses.” And indeed she did.
VIDEO: Watch Jodie Foster’s acceptance video for Best Supporting Actress from AARP’s Movies for Grownups Awards
Best Screenwriter
(Left to right) Ryan Gosling and Margot Robbie in "Barbie."
Warner Bros. Pictures
Noah Baumbach (with Greta Gerwig)
Barbie
Naturally, director Gerwig, 40, gets the lion’s share of glory for the $1.45 billion blockbuster, not her cowriter and husband, Baumbach, 54. She signed the deal to write the screenplay together — without telling him. At first, Baumbach pleaded, “You gotta get us out of this!” But when they started writing, confident that nobody would let them actually film something so strange, funny and full of pop culture in-jokes, they had a blast. The Barbie-Ken tensions are doubtless informed by their own relationship as auteurs whose Marriage Story (directed by Baumbach) and Little Women (directed by Gerwig) competed for Oscars in 2020. Baumbach defended Barbie against critics who called its satire of Ken anti-man, saying, “I felt men could take it.” And only one man could help make it.
Best Time Capsule
Bradley Cooper (left) and Carey Mulligan in "Maestro."
Jason McDonald/Netflix
Maestro
Besides depicting the tumultuous love story of Leonard Bernstein (Bradley Cooper) and his wife, Felicia Montealegre (Carey Mulligan), Maestro captures the look and feel of their decades together. “It’s such a great window into the 20th century,” says their son, Alexander Bernstein, 68. In scenes filmed in the Bernsteins’ Connecticut mansion, Cooper and Mulligan wear Felicia’s and Leonard’s actual clothes — which fit! Director Cooper studied old radio and TV shows, home movies and settings from Carnegie Hall to London’s Ely Cathedral. Even the cinematography feels authentic, switching from 1940s black and white to modern color and camera lenses. “It really dovetails with my own memories,” says their daughter, Jamie Bernstein, 71.
Best Ensemble
Taraji P. Henson in "The Color Purple."
Warner Bros. Pictures
The Color Purple
The musical version of the 1982 Alice Walker novel — and the 1985 Whoopi Goldberg film — is a parade of talents blending in story and song. As Celie, American Idol’s Fantasia Barrino steals the show, but Danielle Brooks is compelling as the spirited Sofia. Taraji P. Henson, 53, as Shug Avery, completes the trifecta in a female-centric drama, Colman Domingo is terrifying as vicious “Mister” Johnson, and the characters’ connections build the film to a stand-up-and-cheer finale.
Best Intergenerational Film
Paul Giamatti in "The Holdovers."
Seacia Pavao/Focus Features
The Holdovers
Paul Giamatti, 56, plays hilariously curmudgeonly boarding school teacher Paul Hunham, forced to babysit a few students over Christmas break 1970, reluctantly bonding with a misfit kid (Dominic Sessa). The movie’s authentic depiction of the New England academic milieu is not surprising, since Yale grad Giamatti’s dad, A. Bartlett Giamatti, was Yale’s president. And screenwriter David Hemingson, 59 — whose own dad was the elder Giamatti’s Yale classmate — has Hunham berate his students with insults that Hemingson overheard people use, such as “entitled degenerates” and “snarling Visigoths.” The result is the most poignant teacher-student movie since Dead Poets Society.
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