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Anyone who turned on the TV (or saw a magazine cover) in the 1990s knew Luke Perry. The actor, originally from a small town in Ohio, took over the small screen as the pompadoured, leather-jacketed Dylan McKay on the hit show Beverly Hills, 90210, and he rocketed into teen idol stardom.
Perry spent the rest of his life pushing past those boundaries as an actor on TV, in movies and on the stage, working to age gracefully out of teen idolatry. In 2016, at age 50, he appeared on the cover of AARP The Magazine. With his arrival on 2017’s TV show Riverdale (playing the dad of iconic comic book teen Archie Andrews), it looked like the transition was complete. But two years later, Perry suffered a stroke that ended his life when he was just 52.
The arc of Perry’s shortened life is brought to vivid life by Margaret Wappler in A Good Bad Boy: Luke Perry and How a Generation Grew Up, a new biography of the actor publishing on the fifth anniversary of his March 2019 death. Wappler, a pop culture and entertainment journalist who’s written for publications such as the Los Angeles Times and Rolling Stone, weaves in her own personal narrative of growing up in the era of 90210, reflecting on how Perry’s work impacted a generation. Though his family declined to be interviewed for the book, it features exclusive interviews with friends and colleagues, including director Fran Rubel Kuzui, 79; Riverdale actor Marisol Nichols, 50; actor Malcolm-Jamal Warner, 53; and Perry’s friend and former roommate, actor and writer David Sheinkopf, 53. It’s rich with Hollywood details, while revealing the actor’s appealing off-screen personality and drive to do good for friends, colleagues and strangers.
Here are 12 surprising things we learned from A Good Bad Boy about the work, life and legacy of Luke Perry.
1. He grew up resenting his father, an abusive alcoholic.
Perry’s earliest years growing up in small-town Ohio were dominated by his father, Coy Luther Perry Jr., “a violent drunk who abused Luke’s mother,” according to Wappler, who quotes Luke as having said, “I always felt that I should have been able to protect her better, but I was a six-year-old kid. That’s where my frustration stems from.” Though Perry’s parents divorced when the actor was 6, that traumatic chapter instilled a sense of justice that never left him.
2. It took him 216 auditions before he got cast in anything.
Perry kept track of his failed efforts to land acting jobs, so he knew that it was audition number 217 in 1987 that landed him his first gig playing “a dirt-poor mechanic from Tennessee,” Wappler writes, on the soap opera Loving. Living in New York City with girlfriend and fellow soap actor (and future Baywatch star) Yasmine Bleeth, Perry traded up the soaps ladder and snagged a brief but recurring role on Another World.
3. He nailed his 90210 audition for Dylan McKay by reading his lines in French.
Dylan McKay would try to track down his businessman tycoon father on the phone by inquiring in French. That’s how the scene was written, but until Perry tried out for the part, not a single actor had tackled the line “Est-ce que tu a un Jack McKay, s’il vous plaît?” in French. Some had ad-libbed the line in English; some had skipped it altogether. Not Perry, who went all in, in French, and ended up winning the role.
“Not only did I not think we were going to cast the part,” showrunner Charles Rosin recalls in the book, “I didn’t think we’d make it out of the day alive. But then, hallelujah, the guy walked in here.” The rest is teen idol history.
4. Comparisons to Hollywood legend James Dean, fueled by 90210’s styling of Dylan McKay, freaked Perry out.
Linking McKay’s pompadoured, cool-but-earnest character to the movie icon was no coincidence. “Even a pivotal scene between Kelly and Dylan, titled ‘Rebel with a Cause,’ was shot at [Los Angeles’] Griffith Observatory, the site of Dean’s career-defining performance,” Wappler writes. But Perry wasn’t entirely on board. “Early on, when asked how he felt about his supposed doppelgänger, Perry got right to the point: ‘I’m not James Dean. And no one else is, either. … [T]here was only one, and he’s dead.’ ”
The comparison spooked the young actor, who said he’d have to “pay the price” for Dean having died early, “and I ... hope to still be working when I’m thirty and forty and fifty and forever.”
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