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Jamie Lee Curtis peers at me with a crooked grin through the driver's side window of my car. She has appeared seemingly from nowhere to open the gate to her Los Angeles home, tucked in a canyon not far from the Pacific Ocean. After directing me to a parking spot under a portico, she grabs my hand and gives it an enthusiastic shake.
"Oh my God, look what just happened,” she exclaims, noting that she's fully vaccinated for COVID-19 and aware that I am, too. “I didn't put my elbow up. I didn't try to not connect. I connected with you. Yours is the first human hand I've shaken in more than a year!"
[L]ife hinges on a couple of seconds you never see coming. And what you decide in those few seconds determines everything from then on.… And you have no idea what you’ll do until you’re there.
She leads me up a stairway to a sun-dappled deck where a patio table is set with an afternoon repast of mint tea and lemon cake for two. “That was powerful,” she says, pulling out a chair.
All of us are better when we’re loved.
I have met Jamie Lee Curtis before, but today I've come face-to-face with a woman I would describe as in full bloom. The actress/children's book author/philanthropist has overcome her share of difficulties and finally found a balance of professional success and personal happiness.
At 62, she radiates energy and enthusiasm. In two days, she will depart for Budapest to film Borderlands, having spent the past 14 months at home. It was not a sedentary isolation, by any means: Since the start of the pandemic, Curtis has launched numerous, varied projects. “I wake up every day at 4 a.m. and have so much on my mind,” she explains. “I'm just so crazy excited and creative right now. And I don't want to squander any of it.”
This “great mental migration,” as Curtis calls it, began in her 50s, after she'd overcome drug addiction, raised her two children and started doing a whole lot of reading. A voice in her head kept asking, If not now, when? If not me, who? She realized that time was no longer on her side, and that it would be a tragedy to come to that final moment — “No one gets out of life alive,” she half jokes — without having put her ideas into action.
"Get out the tape measure,” she counsels. “Look at what age your parents died, look at what age you are. It's not long. Laugh about it a little. And then shut up and do something! So that's where I'm at in my life right now."
On a wall in Curtis’ kitchen hangs a 4-foot-tall poster that reads “Note to Self: Be Kind, Be Kind; Be Kind.” It is one of many messages that Curtis has culled during her recent years of autodidacticism — reading, studying, observing at what she calls “my own Jamie university.” Many of these sayings influence her daily.
When ideas go unexamined and unchallenged for a long enough time, they become mythological and very, very powerful. They create conformity. They intimidate.
Metamorphosis
Curtis was the second daughter of Hollywood legends Tony Curtis and Janet Leigh. Her parents divorced when she was 3, and she was raised by Leigh and her fourth husband, Robert Brandt, a stockbroker. Growing up, Curtis’ biological father was not around much, she says, and their relationship was tumultuous. While Leigh and Brandt offered a steadying influence, Curtis describes them as strict and rigid.
"There is nothing harder than being a child,” Curtis says with a sigh, “and I am a product of a lot of divorces. Janet married four times, Bob four, and Tony six. It is what it is, but I think, as a result, I have always had a feeling for vulnerable children.” Which would explain why, for years and years, Curtis has supported children's charities — and why in 1993 she began authoring children's books. She now has written a dozen of them. And why in 2003 she had no problem playing a 15-year-old girl in an adult woman's body in the film Freaky Friday, for which she was nominated for a Golden Globe award.
So about 10 years ago, when Curtis stumbled upon E.L. Doctorow's quote about unexamined ideas, it came as a stunning revelation. “I realized it's about calcification,” she says. “It's about creating conformity so you don't rebel. That was me. I was a very good girl."
Since reading Doctorow's words, Curtis has been recalibrating the parts of her life that no longer suit her. “If something's not working and we don't look at it, rip it down and start again, then we're perpetuating the same intimidating force that Doctorow was talking about."
In some ways, though, Jamie Lee Curtis has been reinventing herself for a very long time. In December of 1998, gazing out the kitchen window at a vacation home in Idaho that she owns with her actor/writer/director husband, Christopher Guest, Curtis washed down a handful of Vicodin tablets with a glass of wine. It was a habit that had begun when she was prescribed the painkillers following a cosmetic surgery nearly a decade earlier. While she stood at the window and waited for “that lovely opiate hit,” Curtis recalls, a Brazilian healer friend who was visiting approached her from behind and said in a heavy whisper: “You're not Jamie."
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