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This weekend, Matthew Broderick leads a cast including Maya Rudolph, Ana Gasteyer and Jane Krakowski on the ultimate show biz high-wire act: a live performance of the Broadway musical A Christmas Story, airing Sunday night at 7 p.m ET on Fox.
The 55-year-old veteran of stage (The Producers) and screen (Ferris Bueller’s Day Off) recently took a break from rehearsing the show, A Christmas Story Live!, based on the beloved 1983 holiday film, to talk to us about the story’s enduring popularity, preshow jitters, his own holiday traditions with wife Sarah Jessica Parker and their kids, and whether he ever wanted a present as badly as little Ralphie wants that BB gun.
As the older Ralphie Parker, you narrate the story, just as author Jean Shepherd did in the 1983 film.
The difference in this show is that I’m not just a voice — I’m there. I kind of walk through scenes and then appear suddenly, leering at everybody. So I introduce the scenes, comment on them, say how I was feeling at that moment. Pretty much just like the movie, but just think of a person being there, sort of standing in the corner.
How familiar with the film were you?
I’ve seen it a lot. I’ve also seen earlier Jean Shepherd stories that were dramatized on PBS that my father [James Broderick] was in. So that was very cool. And I was aware of the leg lamp and things like that — some of the stories in the movie are from [Shepherd’s] other stories. But I also loved the movie.
You’ve hosted Saturday Night Live twice, but doing a live musical seems like a different animal. How are you feeling about it?
I’m very nervous. It’s not like Saturday Night Live. I don’t have big cue cards everywhere. If something goes wrong, I don’t actually know what’s going to happen. I guess I’ll just stand there staring at the camera and hope something happens.
For viewers, part of what makes these live musicals so popular is the suspense that anything could happen. For the actors it must be the opposite side of that coin: Anything could happen!
Exactly. I think people like to watch it the way they like to watch a car wreck or to watch somebody slip on a banana peel.
How long have you been rehearsing?
By the time we do it, it will have been eight weeks of rehearsals. It’s very long, but we need every minute of it. A lot of it is blocking and staging. How do I get here in time? Can this camera fit here? It’s complicated to stage. We go outside on the lot. We come back inside. It involves golf carts and costume changes.
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