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Embrace the Wrinkles! Why Hollywood Should Stop De-Aging Stars

Tom Hanks, Harrison Ford and other actors should resist the temptation to allow computer-generated younger versions of themselves to appear on screen


spinner image de-aged robin wright
Courtesy Sony Pictures

Hollywood has always been a youth-obsessed business, but now technology is allowing older stars Tom Hanks, 68, and Robin Wright, 58, to appear on screen as much younger versions of themselves in director Robert Zemeckis’s decades-spanning saga Here (in theaters Nov. 1).

It’s a bad idea.

spinner image de aged Harrison Ford
Harrison Ford in 'Indiana Jones and the Dial of Destiny' (aka Indiana Jones 5) in 2023.
©Walt Disney Co. / Courtesy Everett Collection

In last year’s Indiana Jones and the Dial of Destiny, Harrison Ford, 82, appears mostly as a semiretired archaeology professor in 1969 New York City. But the first 25 minutes are set two decades earlier, with a decidedly younger, fitter Indy snatching a biblical artifact from the Nazis – a bit of movie magic cobbled together by FX artists using artificial intelligence on old Indiana Jones footage. The action-packed scene unfolds mostly in darkness, the better to obscure the not entirely convincing effects, which look more like a videogame than actual filmed reality. Ford’s lips never quite match up with his spoken lines – and his voice sounds more like a haggard, world-weary 80-something than a whip-wielding adventurer in his prime.

spinner image the irishman cast
From left: Ray Romano, Robert De Niro, Al Pacino as Jimmy Hoffa in 'The Irishman,' 2019.
©Netflix / Courtesy Everett Collection

Martin Scorsese’s 2019 Mob epic The Irishman faced another challenge in trying to shave decades off its stars Robert De Niro, 81, Al Pacino, 84, and Joe Pesci, 81. Not only did their faces – subjected to a 3D scanning process – have an unnatural, smoothed-over sheen that robbed them of expression, but the actors moved like much older men, even when delivering beat-downs as tough guys we were asked to believe were in their 40s.

It's not so long ago that Hollywood would rely on makeup to alter the ages of stars – typically to age up younger actors to look like much older people. And there’s a long tradition of using soft-focus filters to make stars of a certain age appear younger on screen – Doris Day became a queen of the technique in her ‘60s rom-coms opposite stars like Rock Hudson (who was often filmed in jarringly sharper focus for their closeups). Of course, those were also the days before wrinkle-erasing Botox.

spinner image de aged Samuel L Jackson
Samuel L Jackson as Nick Fury in 'Captain Marvel' in 2019
© Walt Disney Studios Motion Pictures / © Marvel / Courtesy Everett Collection

Lately, though, Botox and new digital technologies have become a go-to crutch for stars even when they’re not trying to appear decades younger, as Samuel L. Jackson, 75, did in a flashback sequence in 2018’s Captain Marvel. In a recent interview, veteran VFX executive Matt Panousis estimated that 80 to 85 percent of all Hollywood productions use some form of digital de-aging for cosmetic reasons, just to make actors look a bit younger.  

But the push to have older stars carry on forever is a misguided one. Even if the technology exists, why would we want Harrison Ford to keep playing a fit Indiana Jones for decades to come? Or, for that matter, to digitally resurrect the late Sean Connery so he can resume playing James Bond? There have been seven actors portraying the British superspy over the last 60 years, with an eighth expected to be cast in the next year or so, and each has brought a fresh spin on the character that’s been a boon to fans of the franchise.

Plus, there’s an equally long tradition of double-casting roles so the performer matches the age of the character in any given scene. After Marlon Brando won an Academy Award playing an older Vito Corleone in 1972’s The Godfather, Francis Ford Coppola cast a decades-younger De Niro as the Mafia don in his youth (which nabbed De Niro his first Oscar). Would a digitally de-aged Brando have achieved the same result?

In the current hit The Substance, Demi Moore, 61, plays an actress who hits 50 and takes a drug that transforms her into a younger version of herself, played by Margaret Qualley, 29. By using actual people and very little CGI for its effects, the film's nightmare fable about ageism has made Moore an Oscar frontrunner for the first time in her life.

spinner image judi dench and kate winslet
Judi Dench, Kate Winslet in 'Iris,' 2001.
©Miramax / Courtesy Everett Collection

Film history is rife with smart casting choices that allow us to see different periods in a character’s life through performers who are age appropriate (and digitally unaltered). Kate Winslet, 49, has done it twice, first paired with Gloria Stewart as the older version of socialite Rose in Titanic and then with Judi Dench as novelist Iris Murdoch in Iris. The result: four Oscar nominations, one for everyone involved. Even the Indiana Jones franchise has deployed this time-honored device, casting ‘80s teen idol River Phoenix as a pubescent Indy in 1989’s Last Crusade.

New technologies have become a shortcut for some filmmakers in recent years. On the generations-spanning movie Here, Hanks and Wright are both de-aged via AI tools. “The film wouldn’t work without our actors seamlessly transforming into younger versions of themselves,” director Robert Zemeckis has claimed, but did he even consider hiring younger actors? An obvious choice would be Hanks’s lookalike son Colin Hanks, who at 46 isn’t exactly a spring chicken himself.

Decades of Hollywood hits prove you don’t need AI technology to have actors “seamlessly transform” into more youthful incarnations of their characters. After all, nobody wants a remake of Big with an AI-generated version of Hanks playing himself at age 12.

In the end, audiences want to see our stars in the flesh, as they are, and not trying to play parts (and ages) that may be technically possible but that require a giant leap of our collective imagination to fully embrace.

It’s time for Hollywood to grow up, and allow actors to be themselves, wrinkles and all.

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