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"People think I'm their aunt or something,” Octavia Spencer says. “Once, I was walking through the airport, and a person ran up behind me and grabbed my purse. I literally swung around ready to fight, and the lady was, like, ‘I’m so sorry — I just want to take a picture.’ It really is crazy.”
That’s what life has been like for Spencer since she won a best-supporting-actress Oscar in 2012 for playing Minny Jackson, the strong-willed, say-anything maid in The Help, and swapped her career as a little-known character actress for one as a marquee name. (In last year’s Hidden Figures, her performance as a NASA mathematician garnered her another Oscar nomination.)
On-screen, Spencer is a quiet storm — intense, poised, restrained. In person, she’s whip-smart, quick-witted, sophisticated but unfussy. “I’m more opinionated than any of my characters have ever been,” she says over a plate of salami at a cozy L.A. cafe. “I’ve never played a person who remotely resembles me.”
Spencer’s new fame comes with professional opportunities that most actresses can only dream of. As she prepares to do the most substantial and high-profile work of her life, she seems intent on not forgetting where she came from — and on not forgetting to enjoy the ride.
“If you’re constantly chasing success, you’re not really living in the moment. Go places. Do things. The journey is what’s fun.”
Sweet home Alabama
Spencer grew up the sixth of seven children raised by a single mother in Montgomery, Ala., a place that is still the center of her family’s life. Her mother died when she was just 18. Though Spencer is reticent about her siblings — “They are private people who love their anonymity, and I respect that,” she says — she admits that their company grounds her. “I’ve always spent Christmas with my family,” she notes. “Until I get married, I’ll always spend Christmas with my family in Alabama.”
As a child, Spencer was diagnosed with dyslexia, a learning disability that can make letters seem to jump around on the page. An astute educator helped her cope by introducing her to mystery novels. “My teacher told me, ‘You have to pay attention to everything because you don’t know what is a clue,’ ” Spencer recalls. That gave her the motivation to decode every word. “That’s how my brain processes information now,” she says. “I can always tell people, ‘This is what’s about to happen. Connect the dots.’ It’s not like I’m psychic or anything — it’s just all there in the details.” If Spencer hadn’t been an actress, she might have been a detective, she adds playfully: “Think about it. I have been a detective my entire life. I watch everything. I read all the books. I’m that person who could solve a cold case. I really could.”
Spencer has even published two children’s novels, as a way of helping others like her. “Kids with dyslexia need to know that they’re not stupid,” she says. “Some of the most creative people are dyslexic. Steven Spielberg, the producer Brian Grazer — I can’t lump myself in with them, but there are so many of us out there.”
You’ve got to have friends
Spencer entered the film world on the opposite side of the camera. She worked in casting, and then as a production assistant. When she was a teenage intern on the set of the movie The Long Walk Home, star Whoopi Goldberg took her aside and gave her advice straight out of Shakespeare: “To thine own self be true.” “At the time, I didn’t really understand what it meant,” Spencer remembers. “Now I understand: Make decisions based on how you feel, not in concert with other people because you’re the one who’s going to have to live with those decisions.”
A few years later, after graduating from Auburn University in Alabama and moving to Los Angeles, Spencer was a 20-something production assistant on Joel Schumacher’s courtroom drama A Time to Kill. She asked the director if she could audition for a small part. “I wanted to be a woman who started this riot with the Ku Klux Klan, but Schumacher said, ‘No, your face is too sweet for that. You can read for the nurse.’ So I read for the nurse, and I got it.” Her scene was with Sandra Bullock, a fellow Southerner who became a close friend. It was only one day’s work, but for Spencer it changed everything. “When I got that first job, that meant that I was a professional actress,” she says. “Then I just had to do the work to become good at it. But I was never afraid that it wouldn’t happen, because it had already happened.”