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To quote the song that opens his latest film, Rob Reiner, 67, has looked at love from both sides now. The force behind one of Hollywood's most enduring romantic comedies about young adults, When Harry Met Sally…, Reiner (with stars Michael Douglas and Diane Keaton) tackles more mature matters of the heart in And So It Goes, which opens July 11. The director, whose parents, the comic mastermind Carl Reiner, 92, and his late wife, Estelle, were married for almost 65 years, has learned a lot about the subject of love over the years. Among the lessons:
Create a ritual that only you share
It doesn't matter how small or who initiates it. "I actually started one of these rituals on [my parents'] anniversary," Reiner says. "Their anniversary was on Christmas Eve — that was the day they got married. And I would give them a little tin of caviar. And they would always buy some tongue to go along with it." Tongue? With caviar? "I know, I know. They bought that from the deli, and that is what they would do. My dad misses her like crazy. He talks about her all the time."
Know what to look for in a partner
Thanks to the scene in When Harry Met Sally… when Meg Ryan fakes an orgasm in a deli, Reiner's mom, who died in 2008 at age 94, will forever be remembered for uttering the famous kicker, "I'll have what she's having." But Reiner says she shared a line in real life that was almost as noteworthy: "When they were married for 60 years, they had celebrated their anniversary. Somebody asked her, 'What's the secret to being married for 60 years?' She said, 'You have to find someone who can stand you. Not somebody you can put up with, but someone who can stand you.' "
Don't be afraid to rewrite your ending
Reiner, who divorced actress-director Penny Marshall in 1981 after 10 years of marriage, never thought he would tie the knot again. But meeting photographer Michele Singer, the woman who would become his second wife during the making of When Harry Met Sally…, changed how that film — and his life — turned out. "I had been single for 10 years after having been married for 10 years," he says. "And so I couldn't see how I would get with anybody ever again. It became the basis for the film. [Screenwriter] Nora Ephron was the prototype for Sally, and I was the prototype for Harry. We had an ending where they didn't get together. But I met [Singer] three-quarters of the way through the movie, and I thought, 'Oh, well, I see how this could work again.' "
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