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There’s no dream that Hollywood weaves better than great love stories — dramas and comedies that showcase sparkling chemistry, smoldering flirtation and happily-ever-after endings sealed with a perfect-kiss close-up. And with that romance have emerged iconic movie couples — names we love to say together (or even smush into one name). Here, in chronological order from the 1930s to the 2000s, are the 15 hottest pairs to light up the silver screen — and our romantic yearnings. And if you miss the smash-hit 25th anniversary re-release of Titanic in theaters in a new, sharper-looking remastered version, don’t let your heart break — see links below to where you can watch it at home.
Myrna Loy & William Powell
Their best movie: The Thin Man (1934)
Why we love them: Loy and Powell were Tinseltown’s “It Couple” in the 1930s, ultimately making 13 films together. But none captured their fizzy comic chemistry more than the Thin Man series, in which they played a ritzy crime-solving couple, Nick and Nora Charles (alongside their dog, Asta). The first in the series is the best of the bunch by far as they toss back cocktails, throw dinner parties, hunt for a killer and nurse his-and-her hangovers while lobbing wisecracks at one another like hilarious grenades.
Watch it: The Thin Man, on Amazon Prime, Google Play, HBO Max, iTunes, Vudu, YouTube
Ginger Rogers & Fred Astaire
Their best movie: Swing Time (1936)
Why we love them: Were two movie stars ever more in sync — on and off the dance floor — than Astaire and Rogers? The fleet-footed duo starred in 10 films together. Start with Swing Time, in which Fred tries to pick up Ginger’s dance instructor by pretending he can’t dance (now, that’s acting!). Of course, romantic complications ensue, as do some of the most absurdly graceful dance steps ever caught on film. They look and move like angels sent to earth to entertain us mere mortals.
Watch it: Swing Time, on Amazon Prime, Google Play, iTunes, Vudu, YouTube
Vivien Leigh & Clark Gable
Their best movie: Gone With the Wind (1939)
Why we love them: “Frankly, my dear, I don’t give a damn.” Gable’s words delivered through the lips of Rhett Butler to Vivien Leigh’s spoiled Southern belle Scarlett O’Hara are the stuff that classic-movie dreams are made of. A Technicolor fantasia that remains (albeit problematically) one of Hollywood’s greatest and most ambitious epics, Gone With the Wind turns the Civil War into the backdrop for a timeless love-hate romance. It took producer David O. Selznick two and a half years to find his Scarlett, but by the time the search was over and the film became a blockbuster, it was hard to imagine anyone else on the receiving end of Gable’s famous kiss-off.
Watch it: Gone With the Wind, on Amazon Prime, Google Play, HBO Max, iTunes, Vudu, YouTube
Don’t miss this: The 10 Most Romantic Movies on Netflix Right Now
Rosalind Russell & Cary Grant
Their best movie: His Girl Friday (1940)
Why we love them: Sometimes romance has nothing to do with sex and lust, but instead the thrilling foreplay of words, words and more words delivered at a rat-a-tat clip. In Howard Hawks’ screwball comedy, Grant and Russell play exes who still manage to verbally joust like caffeinated lovers. The movies have never used language as an aphrodisiac more effectively, so much so that there’s never any question Grant’s suave newspaper editor will win back his scoop-happy reporter ex before she settles down with her new drip of a fiancé (poor Ralph Bellamy never knew what hit him).
Watch it: His Girl Friday, on Amazon Prime, Google Play, iTunes, Vudu, YouTube
Ingrid Bergman & Humphrey Bogart
Their best movie: Casablanca (1942)
Why we love them: Arguably, or not so arguably, the greatest movie romance of all time, Casablanca manages to turn tough-guy Humphrey Bogart into the biggest, most sympathetic fool for love during World War II. As Rick Blaine, the proprietor of North Africa’s hottest nightclub who risks his neck for no one, he reveals that beneath his icy veneer lies a heart as big as Vichy France. And there’s only one woman who can melt him: Ingrid Bergman’s Ilsa Lund, who walked out on him when the Nazis marched into Paris and started him on his path as a loner staring into the bottom of a bottle — until “of all the gin joints in all the towns in all the world, she walks into mine.”
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