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The 2024 Cannes Film Festival ended on May 25 and gave the Palme d’Or, its top prize, to Anora, a Cinderella-esque comedy about a Brooklyn sex worker courted by the son of a Russian oligarch. Director Sean Baker, 53 (The Florida Project), is a probable Oscar contender.
He’s not the only filmmaker over 50 who made a mark at the world’s most prestigious film fest. The most conspicuous Oscar-likely star was Demi Moore, 61, making her Cannes debut in The Substance as an aging actress who has a scandalous nude fight scene with a young rival.
Juliette Binoche, 60, presented an honorary Palme d’Or to Meryl Streep, 74, and Francis Ford Coppola, 85, gave the same to George Lucas, 80. Coppola’s new film, Megalopolis, a dream project starring Adam Driver and Better Call Saul’s Giancarlo Esposito, 66, that he’s worked on for decades, got no awards but lots of controversy for its convoluted depiction of a fantasy Manhattan resembling ancient Rome. The worldwide headlines helped it sell foreign rights (no word on when it might open in the U.S.). Kevin Costner, 69, premiered his also-decades-in-the-making Western Horizon to more catcalls than acclaim, but the hoopla made sure it’ll get noticed when it’s released in the U.S. June 28.
Here are the grownup stars and films to watch for when they arrive on American screens:
Demi Moore was the big Cannes buzz queen
Moore, 61, leaped back into the spotlight in The Substance (in theaters Sept. 20), a satire of showbiz ageism and sexism in which she plays a onetime Oscar winning actress, Elisabeth Sparkle, whose slimy boss (Dennis Quaid, 70) tells her that when a woman hits 50, she’s done. So he’ll replace her with a youngster on her Jane Fonda-like exercise show, Sparkle Your Life. She creates a younger clone of herself (Margaret Qualley), and her original and young selves must spend every other week in a kind of coma, the other hosting her show. Qualley’s character progressively and horribly disfigures Elisabeth’s beauty, culminating in a bloody, full-frontal nudity fight between them. Moore looks so fit that some viewers may be inspired to emulate her Pilates regimen, if not her character’s cloning misfortune. “Moore’s triumphant comeback skewers the sexism that Hollywood threw at her,” The Telegraph said. Actress Eva Green, one of the Cannes jurors, called the film “bold and beautifully bonkers.” The movie’s wildness and gory finale may put some viewers off, but it could nab Moore her first Oscar. She hasn’t gotten such mileage out of getting naked since her 1991 Vanity Fair cover.
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