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“I just didn’t want to be traditional,” says Cher, describing her new holiday album — and that could be the mantra for her 60-year career. The 77-year-old singer, barefoot in black lounge pants and a gray fleece hoodie, is perched on an oversize white couch in the living room of her Italian Renaissance–style mansion, set on a bluff overlooking the Pacific.
She’s referring to Christmas, an eclectic set of 13 seasonal covers and originals featuring guests Stevie Wonder, 73, Cyndi Lauper, 70, Darlene Love, 82, Michael Bublé and Tyga. The rapper joins her on “Drop Top Sleigh Ride,” coproduced by Cher’s 37-year-old boyfriend, Alexander Edwards, a record executive she started dating after they met at Fashion Week in Paris last year.
Edwards has been a high point in a period of loss. Cher’s mother, Georgia Holt, died at 96 last December, and superstar Tina Turner, a close friend, died on May 24 after years of illness.
As holiday season looms on the horizon, Cher talks with AARP about these recent losses in her life, her new romance, an upcoming memoir and crafting the Christmas album she’d avoided for decades.
What took you so long to record a Christmas album, and how did you tailor it to fit you?
I never wanted to make one. And then I did. I wanted it to be a Cher Christmas album, whatever that means. I knew what it meant in my emotions, but I didn’t know how it was going to manifest. It became a bunch of songs that were not related, from Chuck Berry [the rocking “Run Rudolph Run”] to Michael Bublé [the ballad “Home”]. I think “Please Come Home for Christmas” is the closest I get to tradition.
Your voice sounds better than ever, especially on “Angels in the Snow” and “I Like Christmas.” I know you worked with Adrienne Angel, your 96-year-old vocal teacher.
It’s not the first time she brought me back from the dead. It’s the second time she was able to take my voice and make it what it once was. Also, my doctor said, “Cher, you have the vocal cords of a 25-year-old.”
You dug up a wonderful but somewhat obscure song, the Zombies’ “This Will Be Our Year” from 1968.
I didn’t love it in the beginning. I just had to have an extra song for Amazon, and it was there. It was kind of the redheaded stepchild. At first I didn’t have the respect for it that it deserved. But I listened to it a few times and thought, This is great. It works for me.
You enlisted Darlene Love, 82, for “Christmas (Baby Please Come Home),” her 1963 classic. Sixty years ago you were among the backup singers on her release. What do you recall about the session?
I was 17. I remember everything about it. I know where we were standing. The thing she remembers most is Phillip [Spector, who cowrote and produced the original] saying, “Cher, can you move back, can you take another step back?” My voice kind of cut through. When Darlene opened her mouth to sing, we all stopped breathing. She was just genius. For my album, I called her and said, “Babe, I want to do this song, but I won’t do it without you.” And of course, Darlene went, “Yeah, I’m there.”
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