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Victory Belles: Spirit of the 1940s Revived in Perfect Harmony

Performers evoke a bygone era at the National World War II Museum in New Orleans


spinner image three women in nineteen forties style red, white, and blue dresses sing in front of a d day commemoration sign
COURTESY: FRANK L AYMAMI III/VICTORY BELLES

When the Victory Belles vocal trio take to the stage, the audience is transported back eight decades. The country is still reeling from Pearl Harbor, Nazi Germany occupies much of Europe and the morale of GIs is a national priority for the United States.

With their period outfits, old-style glamor and harmonies that evoke the era of boogie-woogie and swing, the Victory Belles — heiresses of the Andrews Sisters — reflect a time of national crisis but also unity, patriotism and wholesomeness. Since being founded in 2009, the troupe has been a particular favorite of the sadly fast-dwindling band of World War II veterans.

“They call us a living exhibit here at the National World War II Museum,” Hannah Rachal, a Belle for the past decade, told AARP Experience Counts. Her grandfather served in the U.S. Marines in World War II. “We really try to look like we walked out of the 1940s and stay as true to the era as possible.”

The Belles started with three artists but now draw from a pool of 11. They do extensive research to recreate hairstyles, makeup and costumes, turning to black-and-white movies and photos for inspiration.

“The Victory Belles were originally created as the first Wednesday matinee,” said Mandi Mueller, one of the three founding Belles. “We signed a three-month contract and expected to close the show at some point.

“Shortly after we opened our original show, it was clear that the Belles could and would be used for much more than just another entertainment production at the canteen.”

spinner image several people representing multiple generations smile while talking to each other at a barbecue

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“The Belles were created to bring that music of the 1940s back to life and pay tribute to the performers of the time and ‘the boys’ they were performing for. Now, we have traveled across the globe performing for veterans and active-duty military.”

Rachal said: “I’ll go and try and find old patterns from the 1940s. Once a pattern is decided upon, they find the right fabric and pass everything on to a costumer to create the final look.”

The selection process is rigorous. “We sing, we dance, and we also have an interview and give a little speech,” said Rachal. The ability to interact with veterans and other guests is key. “It’s so important that we’re able to make connections, especially when we’re with veterans,” said Rachal. “We want them to feel special and important.

“Being a Belle isn’t just a performing gig, it’s more than that. There’s a lot of weight to it — you might end up talking to a veteran about their experience when they were serving and they might end up telling you a really beautiful story, and you’re not going to want to rush that experience.”

Though the Belles model themselves on the Andrews Sisters and other performers of the era, they are encouraged to develop their own identity.

“You are always yourself, but yourself as you would be in the 1940s,” said Rachal. “We encourage new gals to watch a lot of the movies of the 1940s, to find their favorite stars from that time period and maybe emulate some of those.

“We don’t want to pull people out of that era when we're performing, and the same thing goes for when we're chatting afterward. We want to be ourselves and connect with people and try not to use modern language.”

In addition to performing at the National World War II Museum, the Victory Belles visit veterans’ homes and hospitals and even travel internationally — always in groups of three for that three-part harmony for which the Andrews Sisters were known.

World War II performers were organized by the United Service Organization (USO), founded in 1941. There was live entertainment from the likes of Marlene Dietrich, Humphrey Bogart, Lena Horne, Judy Garland and Bob Hope. Overall, more than 7,000 entertainers performed in 428,521 USO shows between 1941 and 1947.

The Andrews Sisters, from Minneapolis, were nicknamed “America’s Wartime Sweethearts” and delighted military audiences with songs such as “Boogie Woogie Bugle Boy,” “I’ll Be With You in Apple Blossom Time” and “I Can Dream, Can’t I?”

Mueller said that the success of the Belles is based on them being “uplifting, wholesome and classic” in a way that is refreshing today.

“The Belles have become a staple of the museum and even ambassadors, if you will,” she added. “People expect to see the Victory Belles and they've become a household name in New Orleans. They bring to life a ‘happy’ part of the war. They bring back the good memories.”

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